Current Book Project (Habilitationsarbeit)

Becoming-Body: Technologies of the Self in American Modern Dance

. . . more info coming soon . . .

Monograph

2016    Walking the Möbius Strip: An Inquiry into Knowing in Richard Powers’s Fiction. Heidelberg: Winter, 2016.

Journal Articles

2022    “From (Sexual) Difference to Diversity: On Categories of Critique.” WiN: The EAAS Women’s Network Journal 3 (2022): n.pag. http://women.eaas.eu/win-the-eaas-womens-network-journal-issue-3/

2020    With Ingrid Gessner, Izabella Kimak, and Elisabetta Marino. “Introduction: Feminism and Technoscience.” WiN: The EAAS Women’s Network Journal. 2 (2020). Web. 

2019    “With and Beyond Borders: Towards a Posthumanist American Studies.” Forum: Amerikastudien; or, American Studies in Germany. J19: The Journal of Nineteenth-Century Americanists 7.2 (Fall 2019): 343-48. https://doi.org/10.1353/jnc.2019.0009

2019    “Dancing Contact Improvisation with Luce Irigaray: Intra-Action in Elemental Passions.” Hypatia: A Journal of Feminist Philosophy 34.3 (Summer 2019): 485-506. https://doi.org/10.1111/hypa.12479

2016    “Exercises in Discipline and Freedom? The Graham Technique.” Dance Chronicle 39.2 (2016): 123-52. https://doi.org/10.1080/01472526.2016.1183184

2010    “The Purloined Chamber: A Lacanian Reading of Richard Powers’s Plowing the Dark.” COPAS: Current Objectives of Postgraduate American Studies 11 (2010): n.pag. Ed. Torsten Kathke and Sascha Pöhlmann. Web.

Book Chapters

Forthcoming    “From Animal Magnetism to Materialist Transcendentalism: Margaret Fuller on Fanny Elssler.” The Articulate Body: Dance and Science in the Long Nineteenth Century. Ed. Lynn Matluck Brooks, Sariel Goomb, and Garth Grimball. Gainesville: UP of Florida

2022    “AI from Sci-Fi to Soul Machines: (Re-)Configuring Empathy between Bodies, Knowledge, and Power.” Artificial Intelligence and Human Enhancement. Ed. Waldemar Zacharasiewicz. Berlin: De Gruyter, 2022. 287-307.https://doi.org/10.1515/9783110770216-016

2018    “Between Organic Movement and Technique: Practicing Self-Care and Forging Subjectivities in American Modern Dance.” Modernities and Modernization in North America. Ed. Ruth Mayer and Ilka Brasch. Heidelberg: Winter. 2018. 163–86.

2018    “Practicing Graham: Becoming-Body between Counts and Spaces.” Verkörperte Heterotopien: Zur Materialität und [Un-]Ordnung ganz anderer Räume. Ed. Lea Spahn, Jasmin Scholle, Susanne Maurer, and Bettina Wuttig. Bielefeld: transcript, 2018. 43–55.

2016    “‘Of No Woman Born’ und doch des Herren Knecht*In?: C.L. Moores ‘No Woman Born’ und Richard Powers’ Galatea 2.2.” Feminismus und Freiheit: Geschlechterkritische Neuaneignung eines umkämpften Begriffs. Ed. Barbara Grubner, Carmen Birkle, and Annette Henninger. Sulzbach: Ulrike Helmer Verlag, 2016. 319–37. Print.

2013    “Embedding Richard Powers’s The Echo Maker in Narrative Medicine: Narrativity, Delusions, and the (De-)Construction of Unified Minds.” Communicating Disease: Cultural Representation of American Medicine. Ed. Carmen Birkle and Johanna Heil. Heidelberg: Winter, 2013. 387–411. Print.

2012    “Narrative Strands, Lacanian Orders, and the Borromean Knot. Reading Richard Powers’s Plowing the Dark.” Ideas of Order: Narrative Patterns in the Novels of Richard Powers. Ed. Antje Kley and Jan Kucharzewski. Heidelberg: Winter, 2012. 143–73. Print.

2011    “Marital Law and Women’s Rights in Early Christian Ireland.” Allerlei Keltisches: Studien zu Ehren Erich Poppes. Studies in Honour of Erich Poppe. Ed. Franziska Bock, Dagmar Bronner, and Dagmar Schlüter. Berlin: curach bhán publications, 2011. 61–77. Print.

Interview

2022    “Black Feminism on the Edge: A Conversation between Jennifer C. Nash and Samantha Pinto.” Conversation facilitated by Ingrid Gessner and Johanna Pitetti-Heil. WiN: The EAAS Women’s Network Journal 3 (2022): n.pag. http://women.eaas.eu/win-the-eaas-womens-network-journal-issue-3/

Edited Collections and Special Issues

2020    WiN: The EAAS Women’s Network Journal. 2 (2020). Ed. Ingrid Gessner, Johanna Heil, Izabella Kimak, and Elisabetta Marino. Feminism and Technoscience. Web.

2013    Communicating Disease: Cultural Representation of American Medicine. Ed. Carmen Birkle and Johanna Heil. Heidelberg: Winter, 2013.

2013    COPAS: Current Objectives of Postgraduate American Studies 14 (2013). Guest ed. Britta Bein, Johanna Heil, Janina Rojek, and Silke Schmidt. Web.

Editorial Work

General Editor of

gender forum (with Judith Rauscher)

WIN: The EAAS Women's Network Journal (with Christen "ChrisAnn" Bryson, Marie Dücker, Izabella Kimak, Elisabetta Marino)

Conference Papers

2020      “Lost in Representation? Illness between Experience and Memoir.” ASA Annual Meeting 2020: Creativity within Revolt. Baltmiore. Nov. 12-15 Nov. ACCEPTED BUT HAD TO BE CANCELED DUE TO COVID19 PANDEMIC.

2020      “AI from Sci-Fi to Soul Machines: (Re-)Configuring Empathy between Bodies, Knowledge, and Power.” Internationale Tagung der Österreichischen Akademie der Wissenschaften (Kommission “The North Atlantic Triangle”): Artificial Intelligence and Human Enhancement: Affirmative and Critical Approaches in Literature and Philosophy on Both Sides of the Atlantic. Vienna. Oct. 19-21.

2020      “Dance as a Technology of Self: From Transcendentalism to Early American Modern Dance.” Dance and Disruption: Science and Body in the Long Nineteenth Century (A Working Symposium hosted by the Dance Studies Association Working Group Dancing the Long Nineteenth Century). Swarthmore College. Aug. 8-9. [online]

2019      “Kontaktimprovisation: Eine posthumanistische Kritik.” Gesellschaft für Tanzforschung, Symposium 2019: Sens(e)sation. ZHdK Zürich. Sept. 27-29.

2019      “Chôra in/and the Philosophy of Dance: Of SpaceTime and Becoming Movement.” SLSAeu 2019: SpaceTime. Athens. June 25-28.

2019      “Body Revolutions between Art, Labor, and Popular Culture: American Modern Dance as Political Genre.” DGfA/GAAS Jahrestagung 2019: U.S.-American Culture as Popular Culture. Universität Hamburg. June 13-15.

2018    Beyond Form and Matter: Toward a Chôratic Reading in/of Dance. Deutsche Gesellschaft für Tanzforschung, Symposium 2018: Tanz der Dinge / Things that Dance. Karlsruhe. Oct. 5-7.

2018    Enculturating the Roaring inside Them: An (Eco-)Feminist Perspective on American Modern Dance Techniques. DSA 2018: Contra: Dance and Conflict. Valletta, Malta. July 5-8.

2018    Haunted Heritage: Ancestral Landscapes in Nathaniel Hawthorne and Martha. SLSAeu 2018: Green. Copenhagen, Denmark. June 13-15.

2017    “From (Sexual) Difference to Diversity.” Workshop Conference: Diversity and/in the GAAS. Amerikahaus Munich. Oct. 20-21, 2017.

2017    Choreographing Empathies through Elemental Passions. SLSAeu 2017: Empathies. Basel, Switzerland. June 21-24.

2017    From Organic Movement to Technique: Forging Bodies in American Modern Dance. DGfA/GAAS Annual Conference 2017: Modernities and Modernization in North America. Leibniz Universität Hannover. June 8-11.

2017    On Diversity and Difference as Categories of Critique. Workshop-Conference: Diversity. Philipps-Universität Marburg. June 19.

2016    (Re)Claiming Cores of Authenticity: Martha Graham and Michael Kliën. CORD and SDHS Annual Conference 2016: Beyond Authenticity and Appropriation: Bodies, Authorship, and Choreographies Of Transmission. Pomona College, Claremont. Nov. 3-6.

2016    Body Revolution and Control: The Modern Dance of Isadora Duncan and Martha Graham. SLSAeu 2016: Control. Stockholm. June 14-17.

2016    Practicing Graham: Becoming Body between Counts and Spaces. [UN]Möglich! Verkörperte und bewegte Heterotopien als Orte der Bildung. Philipps-Universität Marburg. March 3-5.

2016    „Of No Woman Born“ und doch des Herren Knecht*In?: Entstehungsmythen, posthumane Körper(losigkeit) und Ermächtigungsstrategien in C.L. Moores „No Woman Born“ und Richard Powers‘ Galatea 2.2. Workshop-Conference of the Center for Gender Studies and Feminist Research. „Freiheit. Feministische Neuaneignungen eines umkämpften Begriffs.“ Philipps-Universität Marburg. Feb. 18.

2015    Reading Anorexia: Memoirs between Constraint and Liberation.  Session:  Narratives of Resistance: Rethinking the Politics of Health and Illness. ASA Main Annual Meeting. The (Re)Production of Misery and the Ways of Resistance. Toronto, Canada. Oct. 8-11.

2015    (Sub)Atomic Movement, Martha Graham’s Modernist Expressionism, and Gestures in Contemporary Dance: A Matter of Scale. Session: Scales of Modernity: Bodies, Buildings, Literature. SLSAeu 2015: Scale. Malta. June 15-18.

2015    The Graham Experience: Then and Now. Dance as Experience: Progressive Era Origins and Legacies. SDHS Special Topics Conference. Baltimore. March 26-28.

2014    Fluid Materiality? Moving / Moved Bodies in Modern and Contemporary Dance. SLSA Annual Meeting 2014: Fluid. Dallas. Oct. 9-12.

2014    What Narrative and Fiction Know: Theoretical Considerations of Medicine and Neuroscience in Contemporary Fiction. Session: What Narrative Can(not) Do: A Diagnosis of Narrative Approaches to Medicine. 129^th MLA Annual Convention. Chicago. Jan. 9-12.

2013    Panelist: Young Scholars and Postgraduate Forum. Usable Pasts, Possible Futures: The DGfA / GAAS at Sixty. Philipps-Universität Marburg. Nov. 1-3.

2013    “I really think that you’re a therapist who has remarkably little insight into your own behavior”: Narrative Perspectives, Life Writing, and Psychotherapy in In Treatment. It’s Not Television. Graduate Conference on Contemporary US-American and British TV-Series. Frankfurt am Main. Feb. 22-23.

2012    “Spirits raised by me”: Nonhuman Empowerment in Richard Powers’s Galatea 2.2 and Plowing the Dark. SLSA Annual Meeting 2012: The Nonhuman. Milwaukee. Sept. 27‑30.

2011    Crossing Borders, Dancing Identities: Modern and Contemporary Dance in a Transnational Perspective. DGfA/GAAS Annual Conference 2011: Transnational American Studies. Universität Regensburg. Juna 16-19.

2011    Luria’s “Romantic Scholar” and Richard Powers’s The Echo Maker: Narrative, Confabulation, and the (De-)Construction of Unified Minds. Literature and Medicine. International Conference, Philipps-Universität Marburg. Feb. 11-12.

2010    Narrative Strands, Lacanian Orders, and the Borromean Knot: Reading Richard Powers’s Plowing the Dark. Ideas of Order: Narrative Patterns in the Novels of Richard Powers. International Conference, Friedrich-Alexander-Universität Erlangen-Nürnberg. Nov. 26-28.

2009    The Purloined Chamber: A Lacanian Reading of Richard Powers’s Plowing the Dark. Postgraduate Forum. Ludwig-Maximilian Universität München. Oct. 30 – Nov. 1.

2009    On the Viability of Memories: The Case of Mark Schluter. Clinton Institute for American Studies Summer School. University College Dublin. July 5-11.

Discussant

2017    Introduction to Rebekah Sheldon’s “Form / Matter / Chora. Object- Oriented Ontology and Feminist New Materialism.” Posthumanist Feminisms Workshop. International Graduate Centre for the Study of Culture. Justus-Liebig-Universität Gießen. Nov. 30. (circulated via email)

2017    Introduction to Rosi Braidotti’s The Posthuman. Posthumanist Feminisms Workshop. International Graduate Centre for the Study of Culture. Justus-Liebig-Universität Gießen. Jan. 19.

Invited Lectures, Campus Talks, and Other Invitations

[2023      coming soon]

2019      Einladung zur Teilnahme am Workshop-Event “Dancing Epistemology.” Organized by Asaf Bachrach, Romain Bigé, Mona Gérardin-Laverge, Lissa Streeter. In Cooperation with CNRS Labodanse und der Ecole Universitaire de Recherche ArTec. Paris. Nov. 1-3.

2018    “Martha Graham’s Modern Dance: Histories and Critical Perspectives.” Guest lecture Series in American Studies. Universität Graz, April 16.

2018    “From Devilish Dancing and ‘Wicked Waltzing’ to American Modern Dance: A Cultural History.” Making America: Public Lecture Series. Universität Bamberg. Jan. 11.

2016    “Becoming-Body: Constructions of Authenticity, Subjectivity, and Freedom in American Modern Dance.” American Studies Research Colloquium. Friedrich-Alexander-Universität Erlangen-Nürnberg. Nov. 29.

2016    “(Re-)Positioning the Scholar: Situatedness and Autoethnographic Research (A Case Study).” Lecture Series “How to Do Literary and Cultural Studies: Methods of Analysis.” Justus-Liebig-Universität Gießen. June 8.

2016    “Martha Graham’s Dance and the Heritage of Puritanism.” Seminar “The Coherent Individual: The Literary Legacy of Puritanism in the United States” (Dr. Sonja Schillings). Justus-Liebig-Universität Gießen. Jan. 28.

2015    “Exit Stage Left: Martha Graham’s Abstract American Expressionism and the Perils of European Fascism.” Research Colloquium “Recent Research in American Studies.” Universität Regensburg. Dec. 10.

2014    Exodus wider Willen: Jüdisch-amerikanische Literatur in der ersten Hälfte des 20. Jahrhunderts [The Reluctant Exodus: Jewish-American Literature in the First Half of the 20^th Century]. Seniorenkolleg Marburg. Jan. 15.

Conference Organization

2022    in preparation: Access to Equality: Reproductive Justice in the United States. Fifth Biannial EAAS Women’s Network Symposium. With Christen "ChrisAnn" Bryson, Marie Dücker, Izabella Kimak, Elisabetta Marino, and the local organizers Imola Bülgözdi and Éva Mathey. Debrecen. 31 March - April 1.

2020    Feminisms in American Studies in/and Crisis: Where Do We Go From Here? EAAS Women’s Network Symposium. With Ingrid Gessner, Izabella Kimak und Elisabetta Marino. 28-29 April. online.

2012    PGF. Graduate Conference of the German Association of American Studies (DGfA / GAAS). With Britta Bein, Janina Rojek, Silke Schmidt. Philipps-Universität Marburg. 2-4 Nov. 2012.

2011    Literature and Medicine. With Carmen Birkle, Carmen Fels. International Conference. Philipps-Universität Marburg. 11-12 Feb.

Panel Organization

2020      “Writing Bodies in Revolt: Narratives of Radical Relationality.” Mit Christine Marks (LaGuardia Community College). ASA Annual Meeting 2020: Creativity within Revolt. Baltmiore. 12. – 15. November. ACCEPTED BUT HAD TO BE CANCELED DUE TO COVID19 PANDEMIC.

2019      “Sinnliche Un/Gewissheit: Eine machtkritische Analyse von Kontaktimprovisation als Berührungsphänomen.” With Lea Spahn, Bettina Wuttig. Gesellschaft für Tanzforschung, Symposium 2019: Sens(e)sation. ZHdK Zürich. Sept. 27-29.

2017    “Irigaray.” With Elisabeth Friis, Jenny Jarlsdottir Wikström, Erik Erlanson, and Connor Pitetti. SLSAeu 2017: Empathies. Universotät Basel. June 21-24.

2015   “Scales of Modernity: Bodies, Buildings, Literature.” With Connor Pitetti (Stony Brook U). SLSAeu 2015: Scale. Malta. June 15-18.

2015    “Playing with the arts and sciences: (Post-)Feminist Discourse and the ‘Tools of Patriarchy.’” With Anna Thiemann (Universität Münster). DGfA/GAAS Annual Conference 2015: Knowledge Landscapes North America. Universität Bonn, Germany. May 28-31.

2014    “What Narrative Can(not) Do: A Diagnosis of Narrative Approaches to Medicine.” With Christine Marks (LaGuardia Community College) and Jennifer L. Baldwin (UIUC) 129^th MLA Annual Convention. Chicago. 9-12 Jan.

2013    PGF Workshop. With Britta Bein, Janina Rojek, Silke Schmidt. DGfA/GAAS Annual Conference 2013: Rural America. Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany. 30 May – 2 June.

. . . coming soon . . .

. . . coming soon . . .

Cooperation with stimmen afrikas for the following classes:

• Daughters of the Black Atlantic: Contemporary Fiction (winter term 2022/2023)
• Gender and Empire (summer term 2023)